Kind of Cyan

Hollywood Pool House Glow, Exclusive Handmade Cyanotype Print of Blue Patterns

2023

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº3 + Year: 2021 + Edition Size: 50 + Stamped and Certificate of Authenticit...

This is an exclusive handprinted limited edition cyanotype. This gorgeous triptych is called "Fresh California Pool Patterns" which shows the semi-abstract movements of light reflect...

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Hans Hofmann Composition in Blue, 1952 Color silkscreen with unique hand painted gouache additions Hand signed and numbered 76/120 on the front in ink (each example is a unique variant with hand painting) Published by Esther Gentle and 167 Gallery, New York Frame included Dazzling mid century modern (1952) mixed media silkscreen and gouache by Hans Hofmann - one of the most influential artists of the 20th Century. The gouache additions are done by hand, making each work in this series absolutely unique. A superb impression of this extremely scarce, early print with strong colors. According to Reba and Dave Williams (Reba and Dave Williams, American Screenprints, New York, 1987, page 32), Hofmann was persuaded to make this print by Esther Gentle (who later married Abraham Rattner), his student at the time, who was starting to publish screenprints reproducing well-known artists' paintings. Unlike other screenprints by Abstract Expressionist artists, Hofmann's is an original work which does not reproduce a painting. An unusual feature of Composition in Blue is that the blue background varies; the artist authorized different color mixtures and strengths for each example in the printing of this particular silkscreen (Williams, page 32). Measurements: Work: 16⅞ by 15 inches Framed: 24⅝ by 21¼ inches HANS HOFMANN (1880-1966) Hans Hofmann (1880–1966) is one of the most important figures of postwar American art. Celebrated for his exuberant, color-filled canvases, and renowned as an influential teacher for generations of artists—first in his native Germany, then in New York and Provincetown—Hofmann played a pivotal role in the development of Abstract Expressionism. Between 1900 and 1930, Hofmann’s early studies, decades of painting, and schools of art took him to Munich, to Paris, then back to Munich. By 1933, and for the next four decades, he lived in New York and in Provincetown. Hofmann’s evolution from foremost modern art teacher to pivotal modern artist brought him into contact with many of the foremost artists, critics, and dealers of the twentieth century: Henri Matisse, Pablo Picasso, Georges Braque, Wassily Kandinsky, Sonia and Robert Delaunay, Betty Parsons, Peggy Guggenheim, Lee Krasner, Jackson Pollock, and many others. His successful career was shepherded by the postwar modern...

Robert Petersen Eight of Hearts, 1989 Mixed media silkscreen with hand applied acrylic on paper with deckled edges Hand signed, numbered 6/21, dated, and inscribed on the front Unique variant - each example from the edition unique Frame Included: floated and framed with a beveled edge in original wood frame Robert Petersen was Rauschenberg's longtime friend and collaborator. This mixed media silkcreen with hand coloring was published by Castelli graphics. Inscription reads as follows: For Joe & Mary 6/21 R.P. 89 Measurements: (frame) 16 5/8 x 14 5/8 x 1 1/2 inches (sheet) 6 5/8 x 5 inches Retired oncologist Dr. Joseph Bottini and his wife Mary were friends of the artist, and this work was acquired from their collection. Hand signed, numbered, dated, and inscribed on the front. (unique variant - with hand coloring). Robert Petersen was Rauschenberg's longtime friend and collaborator. This mixed media silkcreen with hand coloring was published by Castelli graphics. Inscription reads as follows: For Joe & Mary 6/21 R.P. 89 Measurements: (frame) 16 5/8 x 14 5/8 x 1 1/2 inches (sheet) 6 5/8 x 5 inches Retired oncologist Dr. Joseph Bottini and his wife Mary were friends of the artist, and this work was acquired from their collection. More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen...

"Old Glory" is a unique monotype from a series of prints by Judy Ledgerwood published by Manneken Press in 2020. Rather than using ink, the artist painted directly on a sanded acrylic plate with watercolor paints. The impervious surface of the plate allowed the paint to flow, pool, settle and dry in ways that are distinct from painting in an unmediated manner on paper. When dry, the plate was printed onto damp Hahnemühle Copperplate paper; the moisture in the paper reactivated the watercolor paint and the pressure exerted by the press transferred the image, resulting in a one-of-a-kind monotype print. In "Old Glory" Ledgerwood alludes to the American flag in its rectangular format and red, white and blue color scheme. The artist's signature, title and date are verso, in pencil, and the Manneken Press blindstamp is impressed into the lower left corner of the print. Since the 1980’s Judy Ledgerwood has been exploring light, color, and space in paintings that combine the formal vocabulary of concrete abstraction with influences from pop culture to create vividly colored compositions. She combines decorative patterning, elements of textile design and other traditionally female crafts, with bold color and assertive brush strokes, traits associated with the historically male-dominated tradition of gestural abstraction. Often using stereotypically “feminine” elements, such as pastel colors and stylized floral patterns, Ledgerwood merges formalist and feminist concerns in works that are both sensual and subversive, with the ability to resonate beyond their initial impact. Judy Ledgerwood has received awards from The Richard H. Driehaus Foundation, National Endowment for the Arts; and Illinois Art Council. Ledgerwood has also received an Artadia Award and a Tiffany Award...

"Field Of Flowers #2" is a unique watercolor monotype printed on Hanhnemühle Copperplate paper. The print is professionally framed: floated on museum board in lacquered maple, with acrylic glazing. The dimensions of the print are 21.25" x 31"; framed dimensions are 24.25" x 34" x 2". "Field Of Flowers #2" is one of a group of monotypes Judy Ledgerwood produced at Manneken Press...

"Ripple" (2021) by SarahGrace Oil and water-based ink relief print Ink on Paper Block Print, Hot Pink, Orange, Peach Color Gradient, Linework, Pattern W...